Columbia Pictures/Skydance Media
Directed by Daniel Espinosa
Produced by David Ellison/Dana Goldberg/Bonnie/Julie Lynn
Written by Rhett Reese/Paul Wernick
See, it’s a good thing that I let a couple of hours pass by between my seeing a movie and writing a review. Because if I had written a review of LIFE right after coming out of the theater I would now be telling you that it’s the worst movie I’ve ever seen. Which isn’t fair to the movie and isn’t true. After all, I’ve seen “The Blue Lagoon” “Cursed” “Cabin Fever” “Altitude” and “Hostel.” All of which were far more excruciating movie watching experiences than LIFE. And it’s not even that LIFE is really all that bad of a movie. It’s worse in that it’s an unnecessary movie. I would have expected to see a movie like this on The SyFy Channel as it’s no more than an “Alien” knock-off. Sure it’s got big star names such as Jake Gyllenhaal, Rebecca Ferguson and Ryan Reynolds. All of whom must have done this movie as a favor or for contractual obligations as there’s nothing they do in this movie that is particularly outstanding in terms of acting. And it’s got a nice budget for special effects which are pretty good.
But here’s the thing; the days when Science Fiction movies lived and died on their special effects are long gone. Because the technology has advanced to the point where there really is no such thing as a movie having crappy special effects anymore. Every Science Fiction movie we see now has eye-popping special effects that don’t even impress us anymore because we take it as a given that every movie has fantastic special effects. So to really get us into the movie it’s got to have either great characters or a terrific story or preferably, both. LIFE has neither. And at 103 minutes it doesn’t give itself time to have either. The hostile alien antagonist shows up almost at the beginning of the movie and barely 20 minutes in, a major cast member is killed off. And since that cast member provided most of the movie’s wit, charisma and humor up to that point, the rest of the movie is doomed to be flat, predictable and dull.
The multinational crew of the International Space Station is overjoyed with recovering a probe from Mars that contains soil samples that contain proof of extraterrestrial life. The dormant organism responds to stimuli and soon not only returns to life but quickly grows into a creature that the crew’s exobiologist Hugh Derry (Aryion Bakare) describes as “all muscle, all brain.” The news is relayed to Earth and the news is received with such joy and hoohaw that there’s even a contest to name the thing among elementary schools in the U.S. The creature is christened ‘Calvin’ and there is much joy and celebration.
On Earth, that is. Not on the space station because Calvin breaks out of the lab and quickly establishes that it is hostile and deadly, killing one crew member and serious maiming another in less time than it took me to type this sentence. And from then on it’s a battle for survival. Calvin gets larger and more intelligent the more it kills and the crew soon comes to realize that no matter how this battle comes out, Calvin cannot get to Earth.
Now I really wish there was more for me to tell you about the movie but that’s it. Really. There’s no characterization to speak of so we really don’t get a chance to know these people before they start getting brutally killed off one by one. There is a scene where the Japanese member of the crew (Hiroyuki Sanada) is shown watching his daughter being born on Earth and for the rest of his time in the movie he constantly repeats how he has to get back to Earth to see her. Okay, I’m not entirely heartless. I fully understand the need of any father to want to see and hold his newborn daughter. But in this case, this is just lazy shorthand characterization to try and make us care about the character without really getting to know him. Give me reasons why I should care about this particular father and his desire to get back to Earth.
Rebecca Ferguson who was such a knockout in “Mission: Impossible-Rogue Nation” tries her best to bring some real emotion to her underwritten role and I give both her and Jake Gyllenhaal props for doing the best they can with such thin material to work with. And once I found out that the writers of this movie were the same writers responsible for the stupendously boring “G.I. Joe: Retaliation” and the spectacularly unfunny “Deadpool” I knew exactly what the problem with the movie was.
My advice? Wait for LIFE to show up on Netflix or whatever is your favorite streaming service of choice if you really want to see it. It’s not worth burning the gas to go see it in the theater.