American International Pictures
Written and Directed by Jack Hill
Produced by Buzz Feitshans
Costumes for Pam Grier Created and Designed by Ruthie West
Music Composed, Conducted, Arranged and Produced by Willie Hutch
FOXY BROWN wasn’t the first Pam Grier movie I saw. That would be “The Arena” released that same year. It actually was a couple of years later that I saw FOXY BROWN. Every couple of years you could count on one of the grindhouses on Manhattan’s 42end St. hosting a Pam Grier Double or Triple Feature and that’s when I saw it. Right from the first time I saw it it became for me THE Pam Grier movie. At least until I saw “Jackie Brown” in 1997
But when people ask me which one of Pam Grier’s classic movies from the Blaxploitation Era they should watch first, I always say FOXY BROWN. It was made after “Coffy” which it shares a lot of similarities to and in fact, FOXY BROWN was intended at first to be the sequel to “Coffy” which was a tremendous hit for American International Pictures. But for me, there are scenes in FOXY BROWN which forever stamped Pam Grier as the first female action star and she pulled it off with not only her breathtaking beauty and unbelievably gorgeous body but true acting talent. This is why I think Pam Grier has had such lasting power in the film industry whereas other women, black and white working in the movies at the same period didn’t last. Right from the start Pam Grier had an earthiness, a believability to her performances, no matter the situation her characters were in.
This is the movie that has the classic scene where Foxy Brown pulls a small automatic pistol right outta an afro wig big enough to make Angela Davis jealous and shoots two bad guys dead. There’s something about the way Pam does it that makes you buy the scene with no doubt at all. And then there’s the scene where she gets into a brawl in a lesbian bar. It starts with a woman squaring off on Pam, claiming that she’s a karate expert with a black belt. Without batting an eye, Pam snatches up a bar stool and wallops the piss outta her. Pam stands over her downed opponent, throwing the stool over her shoulder, proclaiming; “I got my black belt in bar stool.” Again, the way she delivers the line and her body language more than sells the scene. You easily believe that Pam Grier knocks out lesbians with bar stools all the time.
Foxy Brown has got two men in her life that are both involved in drugs at opposite ends of the spectrum. Her brother Linc (Antonio Fargas) has gotten into deep trouble with a drug syndicate run by Steve Elias (Peter Brown) and Miss Kathryn (Kathryn Loder). Using a modeling agency as cover they run drugs and use prostitutes to keep local judges, police officials and other public servants off their backs with sexual favors. Michael Anderson (Terry Carter) is a DEA agent who has spent two years in deep cover trying to get the goods on Elias and Kathryn to no avail. Anderson is forced to have plastic surgery to change his appearance and with a new identity and face, he and Foxy make plans to go away and start a new life.
But Linc figures out who Michael really is and in order to get himself off the hook, rats out Michael who is then killed by the syndicate. Linc is then himself killed by Elias and that sets Foxy off on her roaring rampage of revenge. Foxy infiltrates the drug syndicate by posing as a prostitute. But her true identity is soon found out and that’s when things really get cranked up in more ways than one.
You’ll hear some complain about FOXY BROWN as they don’t like the gratuitous nudity Pam Grier displays throughout the movie and that she’s raped at one point in the movie. They argue that those scenes as well as her posing as a prostitute contribute to the objectification of black women. Is it objectification? Maybe yes. Maybe no. Me, I take FOXY BROWN for what it is: an action adventure revenge yarn where it’s a black woman as the protagonist instead of a white man. And a very satisfying one at that. And it’s one of the true classics of the Blaxploitation Era. There’s a dozen movies that I think should be seen if you call yourself a student or fan of Blaxploitation and FOXY BROWN is definitely one of them.
What I’ve always loved about her as with most of Pam Grier’s movies, she doesn’t wait for men to rescue her. She rescues herself, such as in the scene where she’s being held captive at a farm which is the drug manufacturing plant for the syndicate. She’s raped, drugged with heroin and still manages to turn the tables on her captors and blow up the farm. She does enlist the help of an all male neighborhood watchdog organization obviously inspired by The Black Panthers but that’s because they’ve got the guns and ammo needed to help her shut down the syndicate. And the scene where she asks the brothers for their help doesn’t rely on her sexiness or vamping the men into helping her. They quite wisely and intelligently ask her what her motivations are and she tells them. They talk as equals.
But in their supporting roles, the men are very good. You can’t ask for better than Antonio Fargas and Terry Carter. They build solid characters in a short amount of time and so we feel for Foxy when they’re killed. I also like how there’s different types of black men in this movie. We don’t just see pimps and pushers. Sid Haig also shows up near the end of the movie and it’s always a blast to see Sid Haig and Pam Grier together in a movie as they’re good friends in real life and it shows on screen. Their chemistry crackles that good.
While Peter Brown is just your standard generic honky bad guy, I really like Kathryn Loder. She’s got this really strange expression in her eyes and her body language is such that you instantly get that Miss Kathryn may be a criminal genius but she’s got some bad wiring upstairs. Her performance is almost as much fun as Pam’s to watch. They make for well matched opponents.
If you haven’t seen FOXY BROWN yet then you just oughta. Get yourself FOXY BROWN, “Coffy” (as for all intents and purposes they’re virtually the same character) “Jackie Brown” and make it a Pam Grier Night. Trust me, you won’t be sorry.