American International Pictures
Directed by Gordon Hessler
Produced by Max Rosenberg/Milton Subotsky/Louis M. Heyward
Written by Christopher Wicking
Based on the novel “The Disoriented Man” by Peter Saxon
As the opening credits of SCREAM AND SCREAM AGAIN play out, we’re watching a fit young man jogging through what presumably is a park in London. He sure seems like a healthy bloke which is why it’s a surprise when he suddenly grabs his heart and collapses. He wakes up lying in a hospital bed. A nurse comes into his room and tends to him but refuses to answer his questions. She leaves. The bloke tries to sit up in bed but something’s not quite right. He pulls back the covers to see that one of his legs has been amputated below the knee. Quite understandably he screams bloody murder.
We will revisit this unlucky chap during the course of the movie’s 95 minute running time and each time we do, he’ll be missing another limb. When Tom Deja and I discussed SCREAM AND SCREAM AGAIN on a “Better In The Dark” episode we both admitted how we felt guilty watching this movie and laughing at the guy’s plight because after awhile it’s like the blackest of black comedies. Every time the poor bastard goes to sleep, he wakes up missing a limb.
But we’ve got other things going in the movie. In fact, there are three totally separate stories going on that on the surface seem to be unrelated to each other. In one, Peter Cushing is a highly placed official working for the government of an unidentified European totalitarian county that is clearly supposed to be based on Nazi Germany. One of his junior officers has apparently mastered the Vulcan neck pinch so well that he can kill people with it. He’s moving up the ladder of power, killing the higher-ups as he does so.
In the second story Dr. Browning (Vincent Price) is a brilliant research physician specializing in limb and organ transplants who is questioned by the police. They’re looking for a serial rapist/killer who apparently has vampiric abilities. Two of Dr. Browning’s assistants have fallen victim to the fiend and needless to say even though the good doctor claims no knowledge at all of how this could be so, the police find him highly suspicious.
In the third story, Christopher Lee is the chief of an unnamed British intelligence service who finds himself dealing with the political/diplomatic fallout when one of his spy planes has either been shot down or accidentally crashed in a certain unidentified European totalitarian country.
And while we bounce back and forth between these three seemingly unrelated stories, we keep revisiting that poor bastard in the hospital bed who is trapped in the world’s worst game of Operation!
If you’ve never seen SCREAM AND SCREAM AGAIN (and I highly recommend you seek it out if you never have) when you see it for the first time you can be forgiven for thinking that this movie must have been put together by a film editor who A: Was high as a cooter on crack and booze when he worked on this. B: Was pissed at the studio or C: Just didn’t give a shit about his job. Because since Christopher Lee, Peter Cushing and Vincent Price never share a single scene together, the movie plays out for most of its running time as if the film editor took three different movies; one starring Mr. Lee, one starring Mr. Cushing and one starring Mr. Price then haphazardly edited scenes from each of those movies into one. And yeah, you read that right. The three stars of the movie never share a scene together. Mr. Lee and Mr. Price appear on screen together for maybe a minute at the film’s very end.
But here’s the twist: the three separate plots do eventually converge and when they do, you may find yourself nodding your head as I did the first time I saw it and saying; “Okay, that’s a bit of alright.” This is the kind of movie where you shouldn’t even bother trying to play the game of what’s going to happen next or attempt to figure out where the movie is going or how it’s going to end. Trust me; it’s impossible to do that with SCREAM AND SCREAM AGAIN. Just sit back and enjoy where it takes you. It’s science fiction, it’s black comedy, its horror, it’s a political/paranoia/conspiracy thriller and it’s Highly Recommended.