Directed by Sam Firstenberg
Produced by Yoram Globus & Menahem Golan
Written by James R. Silke
What’s the one thing movie fans can unite behind no matter their race, religion or film preference? Remakes. Mention to movie fans that there’s going to be a remake of a beloved movie and stand back. Such a wailing and gnashing of teeth you have never heard in your life. I’ve actually seen with my own eyes people get more upset at the news that a favorite movie of theirs is being remade than at the news of a family member’s death.
What I’ve never quite understood is why movie fans get so upset about remakes when they happen all the time in the theater and theater fans just take it in stride and go on with their lives. You’ll see that every five years or so there’s a new production of “West Side Story” or “Camelot” or “Oklahoma” and theater fans greet it with joy and anticipation.
But I think I have a solution to the problem. Why not remake movies that were flops and failures the first time around and take another crack at bringing to fruition the promise that they showed? And I’ve got my first candidate NINJA III: THE DOMINATION.
Not that it isn’t a whole lotta goofy fun just the way it is. NINJA III: THE DOMINATION has a lot of the elements I love about 1980s movies, up to and including the obvious fact that nobody associated with the production gave a damn about how silly and ridiculous the plot was. I’ve read that Sho Kosugi wasn’t happy with the movie at all and argued strenuously against mixing martial arts with demonic possession. But the results are so jaw-droppingly batshit insane I’m glad that he didn’t get his way. As a result we get a movie that joyfully and wonderfully embraces its weirdness and doesn’t bother one little bit to be embarrassed about it. It’s the kind of movie where you either go with it or leave it alone.
The Black Ninja (David Chung) comes to an unnamed American city on a mission of assassination. He’s there to kill a scientist. Why? What for? Who hired him? These questions are never answered. The poor bastard is simply a living MacGuffin to get the plot going. The Black Ninja kills the scientist, his wife and/or girlfriend and his four bodyguards while the scientist is playing golf in less time than it took me to describe. He’s surprised by golf course security who call the cops and that takes us into the first but not the last of the many batshit insane action sequences of the movie.
The Black Ninja outruns cops who are on foot, on motorcycles and in cars but there’s too many of them for him to elude and he strikes back, displaying a nice range of ninja weapons while doing so. And I liked the fact that he didn’t simply slice up cops with his sword. He takes them out using his blowgun, throwing stars, blinding powder, chain and sickle, etc. This cat takes out about a hundred cops and even brings down a police helicopter before going down in a hail of gunfire. The cops think he’s dead, get closer and then believe it or not, The Black Ninja jumps up and proceeds to hack and slash to death about a hundred more cops. Having finally gotten sick of this shit, the police do the only sensible thing: they form a circle around The Black Ninja and shotgun the shit outta him. Even then this resourceful bastard still gets away by throwing a smoke bomb and seemingly disappears.
The Black Ninja stumbles on telephone linewoman/aerobics instructor Christie (Lucinda Dickey) and gives her his sword before finally dying. Turns out that The Black Ninja put his spirit inside the sword which in turns possesses Christie and uses her to get revenge on the police officers that killed him. The situation is complicated by Christie’s flowering romance with Billy Secord (Jordan Bennett) one of the cops who killed The Black Ninja. He becomes increasing more and more curious about Christie’s unexplained disappearances which seem to happen just around the same time his fellow officers are being murdered one by one. That’s when our boy Sho Kosugi comes flying in from Japan. He’s got a long standing blood feud with The Black Ninja and he’s quite aware that even death cannot stop his evil. It isn’t long before he and Billy have teamed up to try and save Christie’s soul from the demonic possession of The Black Ninja and defeat him once and for all.
Where do I begin trying to describe why I like this movie so much? Should I start with the scene where our old friend James Hong as a Shinto priest attempts to exorcise the spirit of The Black Ninja from Christie? Or the scene where the spirit of The Black Ninja, which has apparently taken up residence inside of Christie’s arcade video game machine takes control of her with smoke, laser beams, and neon strobe lighting? Or the love scene where Christie pours V8 all over her neck and chest and invites Billy to lick it off?
The idea of a movie that’s a mash-up of two very popular movie fads at that time: martial arts and demonic possession isn’t a bad one and I think that maybe the reason it flopped at the box office was because there wasn’t enough of either one to satisfy fans of either genre. Sho Kosugi himself doesn’t show up until halfway though the movie and even then he stays mostly in the background until the final showdown with The Black Ninja whose demonic spirit has revived his body in true zombie style.
The movie belongs to Lucinda Dickey who played Kelly aka Special K in the cult masterpiece “Breakin’” And it’s a shame she never again starred in an action movie because she acquits herself very well indeed. Supposedly she got the role based solely on the fact that due to her training as a dancer she was athletic enough to do many of her own stunts. It helps that Lucinda Dickey is nuclear hot and has enough personality and screen presence to make up for any acting deficiencies. The camera absolutely loves her and she just as obviously loves it back.
And thanks be for that as there’s not much else in the way of acting to brag about here. Sho Kosugi isn’t exactly Peter O’Toole but then again, he didn’t have to be. He knew exactly what his role in a movie of this type is and he fulfills that role adequately. Jordan Bennett as Officer Secord comes off as being too much on the uncomfortable side of stalker-ish for my taste. Even by 1980s standards.
As I said earlier, NINJA III: THE DOMINATION is one of those movies that you just have to make up your mind before you start watching that you’re just going to go along for the ride. And if you do, I think you’ll have just as good a time as I did with it.