Directed by Sam Firstenberg
Produced by Yoram Globus & Menahem Golan
Written by James Silke
He never achieved the same level of popularity that say, Chuck Norris or Jean-Claude Van Damme or Steven Seagal did. But I’ll bet you next month’s rent that anytime you get aficionados of Martial Arts Movies together to talk about their favorites, Sho Kosugi’s name is going to come up fifteen minutes into the conversation. No, he wasn’t as flashy or flamboyant as some of those other guys but he was good at what he did. He kept his dialog to a minimum and delivered on the action/fight scenes. His major claim to film fame was in what has come to be known as “The Ninja Trilogy.” The movies have absolutely no connection to each other save for one element: Sho Kosugi is in all three, playing different roles. He’s The Big Bad in “Enter The Ninja.” The hero in REVENGE OF THE NINJA and a ninja exorcist in “Ninja III: The Domination.”
But there is one thing I notice that Sho Kosugi has in common with Norris and Seagal: none of them can run for shit. You think that’s why they got into martial arts in the first place? Because since they couldn’t run they damn well had to learn how to stand their ground and fight?
The movie starts with an extremely brutal scene of slaughter in Japan as members of the family of ninja master Chozen ‘Cho’ Osaki (Sho Kosugi) are wiped out. What makes it even more brutal is that it’s women and children killed by the army of rogue ninjas. I mean, we’ve got women being sliced to pieces with swords and an eight year old kid taken out with a shuriken to the eye. Cho shows up in time to kill about a dozen ninjas but the rest get away. The only surviving members is his baby son Kane (played in later scenes by Sho’s real life son Kane Kosugi) and his mother (Grace Oshita).
Swearing to give up the life of a ninja, Cho moves his son and mother to America where he opens up an Oriental art gallery at the urging and financial backing of his old friend Braden (Arthur Roberts) Turns out that Braden isn’t such a pal after all. He’s using the gallery as a front for heroin smuggling, hiding the drugs in shipments of handmade Japanese dolls. Braden is stiffed for money that the local mob boss, Chifano (Mario Gallo) was supposed to pay him for the drugs. It’s shortly after this that a ninja assassin wearing a silver demon mask starts killing off Chifano’s men. The police reach out to Cho for assistance but he refuses to help. He does tell them that the way the killings have been done is in ninja style. Which really doesn’t do much for Cho’s credibility since he is the only ninja the police know…
REVENGE OF THE NINJA is nowhere near being High Art. But it is pure 1980s pulp on film. It’s goofy and doesn’t mind being goofy. It takes itself seriously without being serious, if you know what I mean. The movie starts at eighty miles an hour and doesn’t slow down one little bit. Some of the fight scenes are inspired. Such as Cho’s moms taking on the demon masked ninja in one of the movie’s best fights that will have you rooting for Mama. Kane gets a couple of fight scenes of his own, my favorite being the one where he beats the piss out of a gang of bullies harassing him after school.
The story isn’t what you would call innovative but I did like how for most of the movie, Cho doesn’t know what the hell is going on and has to piece the mystery together while Braden is in the background, merrily killing away and leaving dead bodies everywhere. But when Cho does indeed discover how’s he been betrayed and who’s behind it, he takes up the way of the ninja and the epic showdown between the two ninjas is a lot of fun. As is the whole movie. No, we’re not talking “Enter The Dragon” or “Black Belt Jones” or “Gymkata” here. But REVENGE OF THE NINJA is a perfectly acceptable Saturday afternoon movie. Do yourself a favor and get all three movies in “The Ninja Trilogy.” If you’re a fan of Martial Arts Movies or of Cannon Films and you’ve never seen these movies, do yourself a favor and check ‘em out.