Directed and Produced by Ivan Reitman
Written by Harold Ramis and Dan Aykroyd
Based on characters created by Dan Aykroyd and Harold Ramis
“On Our Own” written by L.A. Reid/Babyface/Daryl Simmons and performed by Bobby Brown
It’s five years after the events of “Ghostbusters” and they haven’t been entirely good years for our heroes. Even though they saved the world from being destroyed by Gozer, that didn’t stop everybody and their mother from suing The Ghostbusters for property damage. And if that wasn’t bad enough, they’ve been forced out of business due to a truckload of court orders. Dr. Ray Stantz (Dan Aykroyd) runs an occult used bookstore and entertains at children’s parties along with Winston Zeddmore (Ernie Hudson). They sing the “Ghostbusters” theme song while the kids shriek that they’d rather have He-Man singing. Dr. Egon Spengler (Harold Ramis) has gotten his job back at Columbia University doing more conventional research into human emotion (a curious line of research for Egon, I would think) while Dr. Peter Venkman (Bill Murray) hosts a television show about psychics and UFO’s.
But the boys are drawn back into paranormal investigations by their old friend Dana Barrett (Sigourney Weaver.) In those five years she’s gotten married, divorced and a new job at the Manhattan Museum of Art resorting ancient paintings under the supervision of Dr. Janosz Poha (Peter MacNicol) who has a serious crush on her. But Dana’s primary concern is providing for her son Oscar (William T. Deutschendorf & Hank J. Deutschendorf II) Once again Dana is the focus of paranormal activity such as her baby’s carriage taking off on it’s own power and careening through rush hour Manhattan traffic. She’s also unnerved by the painting she’s working on, a portrait of the 16th century magician and tyrant Vigo The Carpathian (Wilhelm von Homburg/voiced by Max Von Sydow.)
The boys agree to help Dana and an illegal excavation on First Avenue where the baby carriage went wild enables them to discover a vast river of psychomagnatheric slime filling the long abandoned and experimental pneumatic transit system running the length of underground Manhattan. During their investigations the Ghostbusters cause a citywide blackout and are arrested. On the verge of being sentenced to jail, a sample of the slime reacts to Judge Wexler’s (Harris Yulin) near hysterical angry tirade directed at the boys and it conjures forth the spirits of two murderers Wexler sentenced to the electric chair. In order to save his life from the ghosts, Wexler dismisses all charges and restraining orders against The Ghostbusters who capture the ghosts and they’re back in business.
But can they stop the spirit of Vigo The Carpathian who has already possessed Janosz Poha and is using the river of slime, which feeds off the ill will of eight million New Yorkers to fuel his ever-growing power? What do you think? They’re too hot to handle, too cold to hold. They’re called The Ghostbusters and they’re in control. Try to battle these boys? That’s not legal.
Whenever I read reviews or talk to people about GHOSTBUSTERS II, this is what I come away with: people don’t like it because it’s not “Ghostbusters.” But there’s no way it could be. “Ghostbusters” was so unique, so fresh, so unlike any movie we’d seen before. Me, I give the cast a lot of credit for giving it their best (well, most of them anyway…we’ll get to that) considering that most of them didn’t want to do a sequel and it had taken Columbia Pictures five years to persuade them to do a sequel.
But just like the first one, Dan Aykroyd and Harold Ramis provide a story that feels like a story and not just something they tossed off during lunch. I like how the story picks up with The Ghostbusters having been sued out of business even though they saved the world (I wonder if that was intended as a homage to “Son of Kong” which found Carl Denham in a similar situation due to Kong’s rampage) and how the boys get back into business. I like how, just like in the first one, the Ghostbusters actually investigate the river of slime and Vigo’s history, putting clues together to uncover Vigo’s ultimate ambition of reincarnating himself in Dana’s baby Oscar (what, wouldn’t any baby do?)
Unlike the first movie, Bill Murray doesn’t steal any scenes and his energy level here is way, way down. Oh, sure, he’s still the snarky, sarcastic Peter Venkman we know and love but the con-man/used car salesman hustler is gone. Thankfully Dan Aykroyd, Harold Ramis and Ernie Hudson dial up their energy to compensate and it works. And we have Peter MacNicol who’s this movie’s MVP as Janosz Poha. I have no idea where MacNicol got that accent or that unusual way of phrasing that he uses but it leaves me limp with laughter every time he opens his mouth. Sigourney Weaver’s Dana really doesn’t have much to do except once again half-heartedly fend off Venkman’s advances and worry about her son. Annie Potts and Rick Moranis return as Janine Melnitz and Louis Tully and their characters are given a romance so that they’ll something to do while the boys are off busting ghosts.
I’m well aware that I hold a minority opinion but I just can’t find it in me to dislike GHOSTBUSTERS II. It still has the quirky charm of the first and that goofy mixture of science fiction and the supernatural. The cast is extremely likeable and they all have great chemistry together. I watched it earlier today, damned if it still wasn’t a more entertaining and fun movie than 75% of the movies I’ve seen this year so far. No, it’s nowhere near as funny or as quotable as the first but there’s still a lot of good laughs to be had in here. Maybe it’s a sign of me getting older and more forgiving but more and more I’m judging movies on two things: was the movie fun and did it entertain me? GHOSTBUSTERS II does indeed entertain me and it’s a lot of fun.