Village Roadshow Pictures/RatPac Entertainment/Warner Bros. Pictures
Directed by David Yates
Produced by Jerry Weintraub/David Barron/Mike Richardson
Written by Adam Cozad/Craig Brewer
Based on the character “Tarzan” created by Edgar Rice Burroughs
Music by Rupert Gregson-Williamson
Cinematography by Henry Braham
Edited by Mark Day
Before I get into the review of THE LEGEND OF TARZAN, a bit of personal history. Some of you have heard this story before so bear with me a bit for the benefit of those who haven’t. I discovered Edgar Rice Burroughs when I was in Junior High School but it wasn’t through his Tarzan books. I devoured his John Carter of Mars books, his Pellucidar and Venus series and historical novels such as “The Rider” “The Outlaw of Torn” “The Mucker.” I read his Tarzan much later on, mainly because they were reissued with gorgeous Neal Adams covers.
Once upon a time in the 1970s, I’m riding on the ‘G’ subway train home from school, reading a Tarzan novel. To this day I can’t recall which one it was even though every other detail of what happened on that train is still as fresh as if it happened today. Three grown men I didn’t know sat down next to me and demanded to know why I was reading a Tarzan book. They described it as “white man’s bullshit” and “racist garbage.” And that’s just about the only part of their descriptions I can relate to you and still keep this review clean. Just trust me when I say they were very colorful. One of the men was particularly vexed at me and loudly expressed his view that at the next stop he and his companions should bodily escort me off the train and give me the thrashing I so richly deserved. It was actually a lot more profane than that but again; I’m trying to keep it clean. I didn’t get thrashed but I will tell you this: it was a long time before I read a Tarzan book in public again.
But I did keep on reading Tarzan. Because I loved the way Burroughs told a story. Yes, I realized the racist elements in his Tarzan stories. But I also realized that if I cut myself off from his books I would be depriving myself of some truly excellent stories and characters. So I had to make a decision about how I would approach reading material (and movies and other works of art) that were created in a supposedly less enlightened time. It’s a decision I’ve never regretted.
So what has all this to do with THE LEGEND OF TARZAN? Because it’s a Tarzan movie that is rightly set in period and it’s kinda hard to do a Tarzan movie without Tarzan being The Great White Savior. It’s just that simple. The very DNA of Tarzan has racial biases and assumptions that have to be dealt with and not simply ignored. But I think that by putting Tarzan in a story where he mainly has to save Jane sidesteps the awkwardness of having him save African warriors who most certainly don’t need a Tarzan to save them. But I also do realize the image of Tarzan as such is still a polarizing one so a lot of people have no use for a Tarzan movie. Believe me, I understand.
In fact, when we meet Tarzan (Alexander Skarsgard), he doesn’t even want to be called Tarzan anymore. He’s fully embraced being John Clayton III aka Lord Greystoke and living in London with his wife Jane (Margot Robbie). He’s asked by The House of Lords to return to Africa on a diplomatic mission on the invitation of King Leopold of Belgium to inspect the development of The Congo. He’s got no interest until he’s informed by the U.S. envoy George Washington Williams (Samuel L. Jackson) that there’s a strong possibility Belgian mercenaries are enslaving the Congolese. Williams persuades John to accept Leopold’s invitation and take Williams along so that Williams can find the evidence needed to stop Leopold. John agrees and of course, Jane goes along as well since unless we have her kidnapped by the bad guy Leon Rom (Christoph Waltz) we don’t have a plot.
Rom is working with Chief Mbonga (Djimon Hounsou) leader of a savage tribe guarding the location of the fabulous diamonds of Opar. Mbonga agrees to give Rom diamonds in exchange for Tarzan since Mbonga seeks revenge on Tarzan. So once Rom kidnaps Jane, we’re off and running since the movie’s taken a considerable amount of time setting up the situation and the relationship between the characters so we can get into the jungle action, right?
Right. There’s a considerable lot of it that comes our way. With the kinda stuff we expect to see in a Tarzan movie: Tarzan swinging through the trees, hanging out with apes. I would have liked to see Tarzan fighting a lion or leopard, though. Or riding an elephant. And it’s unforgivable that not once does he let out with the classic Tarzan yell. Oh, we do hear a version of it, but c’mon. Tarzan’s yell is like Batman’s Batsignal or Superman’s ‘S’ symbol. It’s who he is.
Alexander Skarsgard is solid as Tarzan. He does interesting things with his body language and the way he holds his arms and uses his hands that I’ve never before seen an actor in a Tarzan movie do. And I like the way that as the movie goes on, John Clayton sheds more and more of his Western garb as he reclaims more and more of his savage heritage. In fact, the movie could easily be subtitled; “How Tarzan Gets His Groove Back” since it quickly becomes obvious to John Clayton that maybe he’s allowed himself to become too civilized and he’s got to get back to what he really is in order to save his wife.
Margot Robbie is a lot of fun to watch as Jane and she and Samuel L. Jackson strike the right note with their characters and realize they’re in a jungle adventure movie so they should be having fun while doing so. Jackson’s character is based on the real-life soldier, lawyer, adventurer and journalist George Washington Williams and is an interesting enough character to deserve his own movie. Especially when you do your homework and find out that Williams actually did expose Belgium’s exploitations and slavery of Congolese natives and resources. It’s grating indeed to see him as the comedy relief when you know the background of the real-life Williams and Jackson’s performance takes a little getting used to as he’s pretty much playing a modern day black man in the 19th century but since he’s Sam Jackson, we forgive him. And in a movie that takes itself so seriously, a laugh here or there is badly needed.
If there’s a major disappointment here acting wise, it’s Christoph Waltz. This is his second performance as a villain that has bored me. There’s nothing particularly memorable about Rom who doesn’t seem very interested in his own plans and schemes and if the villain can’t get excited about his own villainy then why should I?
So should you see THE LEGEND OF TARZAN? Only if you’re going to see it purely as an action-adventure movie. Because the movie works it’s money-maker off to be just that. It does it’s best to give us a Tarzan that is true to the spirit of the character Edgar Rice Burroughs created while still being sensitive to modern day audiences. It’s a noble effort for what is just supposed to be a summer action movie. I enjoyed it but I fully realize that most people can’t say: ‘It’s just a movie,” and go with it. It has amazing locations, impressive action sequences, excellent special effects and plenty of Alexander Skarsgard’s truly impressive musculature that the ladies will no doubt enjoy.