Dark Dream Productions/Little Light Productions
Directed by Luchina Fisher
Produced by Zainab Ali
Co-Produced by Allo Greer and Alma Greerr
Executive Producers: Steven Barnes, Tananarive Due and Luchina Fisher
Written by Steven Barnes and Tananarive Due based on their short story “Danger Word”
It kind of tickles me to no end that back in the 1950’s, 1960’s and even well into the 1970’s we pretty much took it as a granted that the world was going to end in a nuclear catastrophe of one kind or another. Either by accident or a deliberate act of war. Now, in the year 2014 that doesn’t bother us any longer. Now we’re all fairly certain we’re going to have a Zombie Apocalypse and that’s going to be our end. And thanks to movies such as the George Romero “Dead” series, “28 Days Later” “28 Weeks Later” “Shaun of The Dead” “Zombieland” “Pontypool” “World War Z” and the hugely successful TV show “The Walking Dead” we’re all properly prepared for it. You’ve got a frightening number of folks who are even hoping it comes as they’ve turned their basements into survival bunkers. But as DANGER WORD teaches us, survival in the Zombie Apocalypse comes down to something as simple as being prepared to do what you have to do. And even that may not be enough.
Grandpa Joe (Frankie Faison) and his 13 year old granddaughter Kendra (Saoirse Scott) are living in a cabin in upstate New York. Grandpa Joe is teaching Kendra the skills and more importantly, the mindset she is going to need in this new world. Some of the lessons are heartbreaking. But necessary. And Kendra is forced to put those lessons to the test when a routine visit to the nearest trading post to get her a birthday present goes horrifyingly wrong.
You wouldn’t think that a movie could build atmosphere, characterization and plot and a rising sense of horror in just 20 minutes but DANGER WORD pulls it off. And a large part of that is due to Frankie Faison and Saoirse Scott. They effectively and wonderfully create a loving bond between their characters that we understand and take into our hearts almost immediately. And they do with without forcing it on us or overstating the obvious.
Funded by donations from friends, family and strangers, DANGER WORD is an encouraging example to black filmmakers to show them that they don’t have to look to Hollywood to bring their stories to life, especially ones that feature People of Color in major roles. Although “The Waking Dead” has had (emphasis on had) its black characters who have been and continue to be pivotal players in the drama, the history of black characters in zombie movies (or most horror movies for that matter) has been a woeful one. Which has always puzzled me to no end because I don’t know too many black people who aren’t fans of horror movies. You’d think that Hollywood would have long tapped into that the same way they did back in The Blaxploitation Era. In most horror movies the black characters are usually the first to die and even if they manage to last past the first 30 minutes of the movie, that’s because they’re the comic relief. Two notable exceptions are: “The People Under The Stairs” and “Anaconda” which to me is doubly remarkable because not only is the token brother (Ice Cube) still alive at the end of the movie but so is the token Latina (Jennifer Lopez)
But the underrepresentation of blacks in any genre of film is nothing new. We all know that. But films like DANGER WORD is yet another step in the right direction and everybody involved in the production of the film has produced an emotionally strong and satisfying short horror film that they can be proud of. And you can watch it for yourself on YouTube right here: