Directed by Luc Besson
Executive Producer: Martin Scorsese
Produced by Ryan Kavanaugh, Virginie Silla and Tucker Tooley
Written by Tonino Benacquista based on his novel “Malavita”
Music by Evgueni Galperine/Sacha Galperine
Cinematography by Thierry Arbogast
Edited by Julien Rey
If you’ve seen the trailer for THE FAMILY then perhaps like me, you were expecting a mob/crime comedy with plenty of laughs and inside jokes at Robert DeNiro’s expense, poking fun at the numerous gangster roles he’s played with able backup from Michelle Pfeiffer and Tommy Lee Jones who have made more than a few crime/mob movies themselves and know the genre. And yes, there are some laughs in THE FAMILY at the beginning of the movie. But the longer the movie goes on, the fewer the laughs and by the time it gets to the end there’s an appalling no holds barred bloodbath with a platoon of mob hitmen shooting it out with a pair of teenagers wielding automatic weapons like Rambo on his best day while Robert DeNiro and Michelle Pfeiffer are locked in a hideously vicious fight to the death with a killer roughly the size of Richard Kiel.
Giovanni Maznoni (Robert DeNiro) was once one of the most powerful mob bosses in Brooklyn and as such became a threat to The Boss of Bosses, Don Luchese (Stan Carp) who orders a hit on Maznoni and his family that fails. Giovanni turns snitch and Don Luchese goes to jail. The Maznoni family enters the Witness Protection Program under the supervision of FBI Special Agent Robert Stansfield (Tommy Lee Jones) and relocated to Normandy, France.
This assignment is far from being easy duty for Stansfield. In fact, the Maznoni family are a collectively big pain in his ass due to the fact that they simply cannot stop being what they are: a mob family. Giovanni has…anger management issues, let’s say and he’s easily irritated by such things as his tap water coming out brown and nobody taking it seriously. Wife Maggie (Michelle Pfeiffer) doesn’t take kindly to the stereotypical comments that she overhears by pretending she doesn’t speak or understand French. Her response to such is…explosive, shall we say. Daughter Belle (Dianna Agron) is a sweet, soft spoken girl who falls in love with a substitute teacher who tutors her in math. She also has a ferociously violent streak that a Klingon would envy. Son Warren (John D’Leo) is a grifter/forger/hustler who in no time at all has his own junior mafia in his new school.
The situation is complicated by Giovanni writing a tell all book about his life in the mob. A book that both Maggie and Stansfield tell him can never be published. And through a really bizarre coincidence I just couldn’t buy, Don Luchese finds out where the Maznonis are hiding out and sends a hit team to whack ‘em out and that takes us to the blood-soaked final showdown between the mob and the Maznoni family.
Here’s what I liked about THE FAMILY: The performances are first rate but I wouldn’t expect anything less from old pros like DeNiro, Pfeiffer and Jones. But the kids step up to the plate and hold their own with the seasoned pros. Dianna Agron I know from “Glee” and I was surprised to see how well she inhabited this character. The movie was actually almost over before I finally remembered where I knew her from. Judging just by this movie I’d say she has a career in movies if she wants it. John D’Leo is also a lot of fun to watch as he maneuvers his way towards running his school with the finesse and cold-bloodedness of a Michael Corleone.
I also liked how the movie doesn’t have the kids or the wife BMWing about how they want to have a normal life and why can’t they just be a normal family. This is a mob family who have accepted and embraced their lifestyle. They’re criminals and they don’t make any excuses for it. For them this is their “normal” life
The direction by Luc Besson is also first rate as I would expect from the writer/director/producer of some of my favorite action movies such as “Leon: The Professional” “The Fifth Element” the “Transporter” series “Taken” “Taken 2” and “District 13.” And I think that’s the problem with THE FAMILY. Luc Besson is an action director and he seems uncomfortable with the comedy in this movie which puzzles me as I’ve seen “Angel-A” a couple of times and I know he can do comedy. Maybe what threw me off is the level of violence in THE FAMILY which is really bloody and brutal and really doesn’t mesh well with the comedy. Oh, there are are funny scenes and funny lines, don’t get me wrong. But right after that we’ll get a scene like the one with DeNiro and the plumber. It’s a scene that would have been more at home in “Goodfellas” or “Casino” than in a movie that is billed as a comedy.
So should you see THE FAMILY? I say Yes. There’s really nothing wrong with THE FAMILY except for what I feel is an uneven tempo and off center mix of really violent violence with humor. It’s as if Luc Besson really wanted to make this a full blown thriller but every once in a while an AD poked him with the script and reminded him he had to throw in a joke here and there.