Warner Bros. Pictures/Legendary Pictures/DC Entertainment
Directed by Zack Snyder
Produced by Christopher Nolan, Charles Roven, Emma Thomas & Deborah Snyder
Screenplay by David S. Goyer
Based on “Superman” created by Jerry Siegel and Joe Shuster
Sooner or later it always comes down to real estate in a Superman movie, doesn’t it? I mean, in three of the previous Superman movies the plot revolved around extraordinary real estate schemes. And in MAN OF STEEL General Zod’s (Michael Shannon) plan for world conquest could be considered the ultimate form of gentrification. He intends to terraform Earth and make it uninhabitable for humans. But first he’s got to extract The Codex from the cells of Kal-El/Clark Kent/Superman (Henry Cavill) and resurrect the Kryptonian race. And it’s not that it’s a bad plan at all. I just wish it wasn’t such a slog to get to it.
MAN OF STEEL is yet another retelling of the origin of Superman, which we didn’t need. So I guess that’s why Zack Snyder and David S. Goyer threw in such unnecessary details such as: a Kryptonian civil war. Making Kal-El the literal savior of the Kryptonian race by having his cellular structure infused with The Codex which if I understand it correctly pretty much means that Kal-El’s cells contains billions of DNA sequences. Making General Zod and Kal-El’s dad Jor-El (Russell Crowe) best buds who have a falling out over this pesky civil war as Jor-El insists they don’t have time for this rubbish as Krypton is going to blow up any day now. The Krypton sequence is one of the best things about the movie. And not only because we see that Jor-El knows how to rumble, young man, rumble. The architecture, technology and costuming had me wishing that we could get a “World of Krypton” movie. This is the first Superman movie that actually made Krypton look like it would be a really cool place to live. If it wasn’t for the blowing up part that is.
Okay, so you know the drill after that: Krypton blows up, Kal-El gets rocketed to Earth, found by kindly Jonathan and Martha Kent (Kevin Costner and Diane Lane) blah blah blah, yadda yadda yadda. But then that’s when the plot goes into a whole other realm as we get scenes of Clark going walkabout, roaming the world, taking odd jobs and using his powers in secret to help out where he can. In between we have Lois Lane (Amy Adams) Colonel Hardy (Christopher Meloni) and Dr. Emil Hamilton (Richard Schiff) investigating an alien craft found in the Arctic that has a connection with Clark and ultimately leads her to Kansas.
But here comes General Zod and his posse again, having been freed from The Phantom Zone when Krypton blew up. They’ve been wandering around the universe all this time and thanks to Clark’s fooling around, they come to Earth. Zod looks around and likes the property. He’ll take it. Clark has to convince Lt. General Swanwick (Harry Lennix) that he’s here for Truth, Justice and The American Way and they have to work together if they’re going to stop Zod.
I realize I’m being a little more flippant in this review than I usually am but that’s only because I wish MAN OF STEEL had been a little more flippant itself. This is a movie that takes itself way too seriously and moves ponderously from one drama drenched scene to another groaning under the weight of its own solemnity. It’s not a fun movie and there’s not a single moment where I felt like standing up and cheering when Superman flies in to save the day. Which is what I want to see when I go to a Superman movie.
There’s going to be plenty of Superman fans who are going to like this movie because they want their superhero movies to be stonefaced serious. Me, I think you can be serious and have some fun. Maybe I want too much, I dunno. I know that Superman fans desperately wanted to see a Superman movie with some action and him hitting things. Well, with a bunch of Kryptonian villains all with superpowers, there’s plenty of that. And the final throwdown between Superman and Zod will satisfy in the amount of sheer destructiveness. I myself don’t believe there’s a building left standing in Metropolis after the day the Kryptonians came to town.
I have no complaint with the acting at all. Especially Henry Cavill and Michael Shannon. Bravo, Mr. Shannon. I believe he’s one the best and most underrated actors working today. The guy’s Brando level good, trust me. And if you’re not familiar with his work then you need to be.
As to what I didn’t like: so much added to the Superman origin story that I thought wasn’t needed was put in there simply so that audiences wouldn’t feel they were watching the same old same old. The fate of Jonathan Kent. The wonky direction by Zack Snyder in the fight sequences which really surprised me. In his past movies Snyder’s fight scene were really crisp, clean and well-choreographed, leaving no doubt as to who was getting hit and by whom. Here in MAN OF STEEL most of the fight scenes are just blurs going from one side of the screen to the other. The ghost of Jor-El showing up just when he’s needed in places he has no business being. Superman’s resolution to the General Zod problem. I mean, I realize full well Zod left Superman with no choice but the Superman I know would have found another way.
And at the end of the day I suppose that’s really all it is. This isn’t a Superman I felt was my Superman. That’s not to say that he’s a bad Superman. He’s pretty good, in fact. Henry Cavill is a new Superman for a new generation and he does the character proud. But I’ll still stick with the 1978 model if that’s okay with you.