Bringing Down The House

Touchstone Pictures

Directed by Adam Shankman
Produced by Ashok Amritraj
Written by Jason Filardi

Right off the bat I guess I should tell you my first impression after the first ten minutes of my watching BRINGING DOWN THE HOUSE: it’s a pilot for a sitcom.  And Patricia agreed with me 100%.  But you know something?  The right elements are there and it’s entertaining enough that by the half-hour mark I didn’t even care.  The cast is obviously having fun with what they’re doing and that fun comes across so well that I sat back with a goofy grin on my face and waited for the next outrageous situation and enjoyed the belly laughs as they came.  And the movie does have quite a few belly laughs and more than a few quieter chuckles.  It’s nowhere near in the same league as Blazing Saddles or Porky’s but it is a very funny movie and does the one thing I absolutely demand from a comedy: it made me laugh.

Peter Sanderson (Steve Martin) is a corporate lawyer struggling through a separation from his wife and trying to stay two jumps ahead of the younger, more aggressive lawyers at his firm looking for his slot.  There’s a major client who has inherited a multi-billion dollar corporation and Peter is in charge of the account.  If he lands it, he’ll be made a partner and set for life and if he loses it…well, there’s always ambulance chasing.  Meanwhile, Peter has been having chat room conversations with a young lady named Lawyergurl since the separation from his wife and they agree to meet at Peter’s house for a date.  Imagine his surprise when instead of the tall, willowy blonde he was expecting, he gets the full-figured, more-bounce-to-the-ounce chocolate goddess Charlene Morton (Queen Latifah) who claims she was framed for the armed robbery rap she served time for and wants Peter’s help in clearing her name.  And that’s the set-up for the movie’s plot, thin as it is.  If you’ve seen the trailers for this movie, they tell you all that right away in 45 seconds.  Toldja it was a thin plot.

Peter and Charlene go through the usual conventions of this kind of material where they argue and fight and bicker. They seem more like a old married couple halfway through the movie than most RealLife married couples I know, especially in the scenes where Charlene helps Peter’s kids through their various problems (kinda reminded me of that old Nell Carter sitcom Gimme A Break) and I had hopes that the screenplay would take the daring step of actually having the two characters fall in love, which would seem to me to be a natural outcome of them spending so much time together.

But no, the movie takes a different angle and has Charlene helping Peter get his wife back while Peter’s partner, Howie (Eugene Levy) falls mad hard for Charlene.  He actually becomes Charlene’s romantic interest while Peter and Charlene remain friends.  Peter goes undercover at a hip hop club in the last half hour to find out who really framed Charlene for the armed robbery rap.  And that’s where the movie makes a serious misstep.  I’d have liked to see the movie go for broke and have Peter and Charlene actually find themselves falling in love with each other and having to deal with their feelings for each other.

I haven’t seen Steve Martin have this much charisma and energy with a female co-star since Bernadette Peters, who he co-starred with in “The Jerk” (one of The Ten Funniest Movies Ever Made) and “Pennies From Heaven”.  It would have been really interesting to have seen the movie explore a romantic/sexual relationship between a man and woman from such radically different backgrounds and I think that would have raised the movie out of the TV Sitcom-On-Steroids feel BRINGING DOWN THE HOUSE has and made it into something truly special.  The relationship between the two characters is so entertaining and intriguing that by the halfway point of the movie, you are hoping they’ll get together and have a real relationship.

But let’s deal with the movie for what it is.  It’s honestly and truly funny.  Steve Martin has long been one of my favorite actors and here he shows why he’s been around this long.  He’s terrific when he has to be funny and in the quieter scenes he’s a seasoned pro. This is material he’s been doing for a long time now and he knows what he’s doing.  One of his big scenes comes during his infiltration of the hip hop club and it’s a scene that had me holding my sides from laughing so hard.  He and Queen Latifah look great together and make a wonderful comedy team.  I wouldn’t mind seeing what they could do in a dramatic movie together

Queen Latifah walks off with the movie and it’s cool to see a full-figured woman looked upon as a sexy object of desire.  Patricia wondered where her character got the money for all the outfits and many different hairstyles she was wearing during this movie, but I didn’t care a lick.  As long as she was looking great.  And as she’s proved in many other movies she can act.  She looks wonderful in this movie and her sense of comedy timing is impeccable.  Her scenes with Joan Plowright (an accomplished English actress) are really terrific and Queen Latifah more than holds her own with an actress who was doing Shakespeare before Queen Latifah was born.

The rest of the cast has their moments except for Jean Smart.  Every time she’s on the screen, the movie slows down because there’s a boring subplot where’s she’s dating a young man that goes nowhere and does nothing but eat up screen time.

Eugene Levy is a standout as Howie, Peter’s best friend who falls hard for Charlene. Howie’s cooler than Peter and knows all the hip-hop slang and lingo and one of the funniest things in the movie is his delivery of that slang in straight-up lawyerese.  He has a wonderful scene where he first sees Charlene in slow motion that I think is a parody of those scenes with your typical willowy blonde-haired, blue-eyed, Katherine Heigl types and it worked for me.

And I can’t finish this review without mentioning Missi Pyle, who plays Ashley, the sister of the Jean Smart character.  She’s one of the villains of the piece and she’s so good because she turns out to be just as bad as Charlene in her own way.  They trade wicked insults back and forth with style and bear-trap wit and they have a fight scene you have to see to believe.  Imagine the female equivalents of Mike Tyson and Stephen Chow going toe to toe and you’ve got an idea of what I’m talking about.

So should you see BRINGING DOWN THE HOUSE?  Yeah, you should.  Hey, we’re not talking high art here or Academy Award winning performances. It’s a standard sitcom plot but the cast makes it work and they gave me my money’s worth, no doubt.  You wanna laugh for 105 minutes?  BRINGING DOWN THE HOUSE will make you laugh.  Enjoy.

105 min.

Rated PG-13: The language, drug references and sexual stuff in this movie are so mild I can’t imagine anybody getting offended or bent outta shape.  You’ll find more racy scenes and harsh language in an episode of “Nip/Tuck”

2 thoughts on “Bringing Down The House

  1. At least she got paid for this ( in dollars, I hope!) This could make a triple feature with Sinbad’s ( remember him?) and Martin Lawrence’s ( Rat Boy’s Son) efforts at suburb pleasing flicks. Stupid? Hell yeah! Fun? Dolomite is a cinematic masterpiece compared to this!

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